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Authors:Roland Lysell: Stockholms universitet, Sweden
Publication title:Mythosbegreppet efter den aristoteliska dramateorins återtåg
Conference:NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009
Publication type: Abstract and Fulltext
Issue:042
Article No.:012
Abstract:The concept of mythos is fundamental in Ancient Greek theatre and Aristotelian aesthetics. It is normative in different classicist doctrines from the 17th, 18th and 19th centuries and in 20th century popular culture it rules implicitly. In contemporary experimental theatre, especially that kind of theatre described by Hans-Thies Lehmann in Postdramatic Theatre, the concept of mythos has changed and mythos is just one of several elements in complicated dramatic structures.

In this article dramas by Elfriede Jelinek (Ein Sportstuück, Ulrike Maria Stuart) and Roland Schimmelpfennig (Auf der Greifswalder Strasse, Das Reich der Tiere, Idomeneus) are discussed, as well as the mises-en-scène by Einar Schleef, Nicolas Stemann and Jürgen Gosch.

Language:Swedish
Year:2009
No. of pages:12
Pages:135-146
Series:Linköping Electronic Conference Proceedings
ISSN (print):1650-3740
ISSN (online):1650-3686
File:http://www.ep.liu.se/ecp/042/012/ecp0942012.pdf
Available:2010-04-27
Publisher:Linköping University Electronic Press, Linköpings universitet

REFERENCE TO THIS PAGE
Roland Lysell (2009). Mythosbegreppet efter den aristoteliska dramateorins återtåg, NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009 http://www.ep.liu.se/ecp_article/index.en.aspx?issue=042;article=012 (accessed 4/19/2014)