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Authors:Roland Lysell: Stockholms universitet, Sweden
Publication title:Mythosbegreppet efter den aristoteliska dramateorins återtåg
Conference:NORLIT 2009: Codex and Code; Aesthetics; Language and Politics in an Age of Digital Media; Stockholm; August 6-9; 2009
Publication type: Abstract and Fulltext
Issue:042
Article No.:012
Abstract:The concept of mythos is fundamental in Ancient Greek theatre and Aristotelian aesthetics. It is normative in different classicist doctrines from the 17th; 18th and 19th centuries and in 20th century popular culture it rules implicitly. In contemporary experimental theatre; especially that kind of theatre described by Hans-Thies Lehmann in Postdramatic Theatre; the concept of mythos has changed and mythos is just one of several elements in complicated dramatic structures.

In this article dramas by Elfriede Jelinek (Ein Sportstuück; Ulrike Maria Stuart) and Roland Schimmelpfennig (Auf der Greifswalder Strasse; Das Reich der Tiere; Idomeneus) are discussed; as well as the mises-en-scène by Einar Schleef; Nicolas Stemann and Jürgen Gosch.

Language:Swedish
Year:2009
No. of pages:12
Pages:135-146
Series:Linköping Electronic Conference Proceedings
ISSN (print):1650-3740
ISSN (online):1650-3686
File:http://www.ep.liu.se/ecp/042/012/ecp0942012.pdf
Available:2010-04-27
Publisher:Linköping University Electronic Press; Linköpings universitet

REFERENCE TO THIS PAGE
Roland Lysell (2009). Mythosbegreppet efter den aristoteliska dramateorins återtåg, NORLIT 2009: Codex and Code; Aesthetics; Language and Politics in an Age of Digital Media; Stockholm; August 6-9; 2009 http://www.ep.liu.se/ecp_article/index.en.aspx?issue=042;article=012 (accessed 10/21/2014)