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| Authors: | Roland Lysell: Stockholms universitet, Sweden |
| Publication title: | Mythosbegreppet efter den aristoteliska dramateorins återtåg |
| Conference: | NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009 |
| Publication type: | Abstract and Fulltext |
| Issue: | 042 |
| Article No.: | 012 |
| Abstract: | The concept of mythos is fundamental in Ancient Greek theatre and Aristotelian aesthetics. It is normative in different classicist doctrines from the 17th, 18th and 19th centuries and in 20th century popular culture it rules implicitly. In contemporary experimental theatre, especially that kind of theatre described by Hans-Thies Lehmann in Postdramatic Theatre, the concept of mythos has changed and mythos is just one of several elements in complicated dramatic structures.
In this article dramas by Elfriede Jelinek (Ein Sportstuück, Ulrike Maria Stuart) and Roland Schimmelpfennig (Auf der Greifswalder Strasse, Das Reich der Tiere, Idomeneus) are discussed, as well as the mises-en-scène by Einar Schleef, Nicolas Stemann and Jürgen Gosch. |
| Language: | Swedish |
| Year: | 2009 |
| No. of pages: | 12 |
| Pages: | 135-146 |
| Series: | Linköping Electronic Conference Proceedings |
| ISSN (print): | 1650-3740 |
| ISSN (online): | 1650-3686 |
| File: | http://www.ep.liu.se/ecp/042/012/ecp0942012.pdf |
| Available: | 2010-04-27 |
| Publisher: | Linköping University Electronic Press, Linköpings universitet |
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