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| Authors: | Peter Stein Larsen: Aalborg University, Denmark |
| Publication title: | The Return of the Inter-War Period Avant-Garde in Danish Poetry around the Year 2000 |
| Conference: | NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009 |
| Publication type: | Abstract and Fulltext |
| Issue: | 042 |
| Article No.: | 005 |
| Abstract: | While Peter Bürger in Theorie der Avantgarde from 1974 looks at the avant-garde as a historical chapter, Hal Foster in The Return of the Real from 1996 describes the avant-garde as an innovative power, which, at all times, expresses itself in the art. Foster focuses on the “recycling” of previous aesthetic strategies from the avant-garde that has been (re-)emerging in the art over the last couple of years.
In my article, I will mention some of the most important ways in which this phenomenon occurs, namely: 1) Poetic works which use aesthetic strategies from the inter-war period avant-garde, 2) Essays and literary criticism discussing the inter-war period avant-garde art, and 3) Translations of poetry from the inter-war period avant-garde. |
| Language: | English |
| Year: | 2009 |
| No. of pages: | 6 |
| Pages: | 55-60 |
| Series: | Linköping Electronic Conference Proceedings |
| ISSN (print): | 1650-3740 |
| ISSN (online): | 1650-3686 |
| File: | http://www.ep.liu.se/ecp/042/005/ecp0942005.pdf |
| Available: | 2010-04-27 |
| Publisher: | Linköping University Electronic Press, Linköpings universitet |
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Ph.D., Lic. Theses
