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Authors:Peter Stein Larsen: Aalborg University, Denmark
Publication title:The Return of the Inter-War Period Avant-Garde in Danish Poetry around the Year 2000
Conference:NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009
Publication type: Abstract and Fulltext
Issue:042
Article No.:005
Abstract:While Peter Bürger in Theorie der Avantgarde from 1974 looks at the avant-garde as a historical chapter, Hal Foster in The Return of the Real from 1996 describes the avant-garde as an innovative power, which, at all times, expresses itself in the art. Foster focuses on the “recycling” of previous aesthetic strategies from the avant-garde that has been (re-)emerging in the art over the last couple of years.

In my article, I will mention some of the most important ways in which this phenomenon occurs, namely: 1) Poetic works which use aesthetic strategies from the inter-war period avant-garde, 2) Essays and literary criticism discussing the inter-war period avant-garde art, and 3) Translations of poetry from the inter-war period avant-garde.

Language:English
Year:2009
No. of pages:6
Pages:55-60
Series:Linköping Electronic Conference Proceedings
ISSN (print):1650-3740
ISSN (online):1650-3686
File:http://www.ep.liu.se/ecp/042/005/ecp0942005.pdf
Available:2010-04-27
Publisher:Linköping University Electronic Press, Linköpings universitet

REFERENCE TO THIS PAGE
Peter Stein Larsen (2009). The Return of the Inter-War Period Avant-Garde in Danish Poetry around the Year 2000, NORLIT 2009: Codex and Code, Aesthetics, Language and Politics in an Age of Digital Media, Stockholm, August 6-9, 2009 http://www.ep.liu.se/ecp_article/index.en.aspx?issue=042;article=005 (accessed 4/25/2014)